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October 24, 2025

Threading the Needle in Jamshedpur

Erica Harp 20 Years of Serve, Learn, Lead

 

Erica holding a small embroidery hoop that is stitched with a cow in different shades of purple.
Proudly displaying my orientation embroidery project, a purple cow. Photo courtesy of the author.

I was recently asked the question “What puts you in a state of deep focus or flow?”. The answer escaped out of my mouth before I could think – art.  A lifelong doodler, my school notebooks and homework were often lined with sketched flowers and vines. Art has long been a grounding force in my life, evolving into a creative outlet woven into my daily routine and a ritual I love to share with friends. In true fashion, I spent much of the Banyan Impact Fellowship orientation doodling in the margins of my notes while listening to the sessions and absorbing the content, likely far more deeply than if I had been sitting still. On one of the last days of orientation, we had an embroidery workshop led by a Ukrainian artist, Mila, based in Delhi.

As I punched the needle back and forth while chatting with other fellows, I felt myself drifting into a familiar, calm flow. Though my final product was far from perfect, as we walked out of the session, I was eager to return to that tranquility. As orientation wrapped up and I left Delhi on my own, I felt the anxiety of the unknown slowly creep back. More than ever, I knew it would be essential to lean into the activities which steady me.

Going With the Flow in Bistupur 

On one of my first days in Jamshedpur, I made it my mission to find art supplies to supplement my small, travel-sized collection. First on my list were embroidery materials to start a new project. Armed with my rusty Hindi and a photo of the cow I’d stitched during orientation, I ventured into Bistupur market. First, I stopped by a craft store, hoping I would be able to find all of the materials there. Instead I was kindly re-directed to a fabric store around the corner, where I hit the embroidery jackpot! The shopkeeper presented me with a thick binder of colorful embroidery samples with more variety than I had ever seen. Supplies in hand, I wandered back to my hotel feeling unexpectedly accomplished. 

 A picture of an embroidery hoop with a green and yellow rickshaw stitched by Erica.
My first Jamshedpur stich – a little yellow rickshaw. Photo courtesy of the author.

While navigating the stress and loneliness of settling into life in a new city, embroidering in the evenings sent me right back to that worry-free state of mind that I had first accessed during orientation. Before I knew it, a night by myself in the hotel flew by while stitching. I had watched several episodes of a show, caught up with another Fellow on the phone, and ultimately finished a little embroidered autorickshaw. A few days later, I returned to the same shop for more thread and showed off my little rickshaw stitching to the shopkeeper, who was very pleased.

Finding a New Art Home

During a previous stay in India, I learned to paint Warli, an indigenous art form from Maharashtra and Gujarat. I explored Warli’s history and cultural significance as my host mother in Pune taught me how to perfect the intricate strokes and uniform lines. My evenings with her are some of my most treasured memories, connecting and giggling over my mistakes and little victories of painting. Fast forward to present day in Jamshedpur, I’ve been craving that unique connection which grows from creating in community. After scouring the internet for “art classes in Jamshedpur”, I stumbled upon a small neighborhood art studio and quickly signed up for my first workshop.

Erica holds a hammer as she decorates a tan canvas tote bag with the pigment of fresh flowers.
Hammering fresh flower pigment into a canvas bag at Baithak Artlabs. Photo courtesy of the author.

After a tumultuous autorickshaw ride and getting lost on foot, a calm excitement washed over me as I stepped into a room full of warm, welcoming, and like-minded young artists. The founders explained to me that they envisioned the studio as a casual “third space” for young artists in the city, and they’ve engaged with hundreds of Jamshedpurians to build a blossoming collective. During the workshop, we printed designs on tote bags using pigment from fresh flowers.

Again, I became quickly immersed in that familiar feeling of concentration and stillness, even in a room of strangers (who were quickly becoming friends)! Despite having just wrapped up a tiring weekend of finalizing my housing arrangements and moving into a new apartment, I left the class feeling more energized than I have since my arrival to India. As I settle into life in Jamshedpur, I will continue to turn to art as my compass, helping me find direction and a sense of home when everything else feels new.

Author

  • Erica Harp
    Erica Harp

    Erica Harp is a passionate public health professional with a strong commitment to advancing health equity through community engagement and research. Most recently, she worked as a Public Health Analyst at the MITRE Corporation, where she supported a wide variety of federal health agencies to drive transformative innovations in public health and technology. Her strengths include qualitative research, health program evaluation, and strategic planning. Erica holds a bachelor’s degree in Global and Community Health from George Mason University (GMU) and is dedicated to building accessible and inclusive healthcare systems. A fluent Spanish speaker, she regularly volunteers at health clinics in the Washington D.C. area, supporting underserved communities in accessing critical medical and social services. Her previous roles include multiple undergraduate research fellowships at GMU and an internship at the National Association of Community Health Centers. Erica has spent extended time in India, including a year in Mussoorie during high school. After her freshman year of college, Erica received a Critical Language Scholarship (CLS) to study Hindi in Jaipur, India where she volunteered at a women’s shelter. Erica also studied public health for a semester in Argentina, where she conducted an exploratory research project on access to healthcare services for incarcerated women alongside a local physician. Erica is excited to contribute to the AIF MANSI program, helping to reduce maternal and neonatal mortality by strengthening community-based healthcare systems in India.

    View all posts
erica-harp

Erica Harp is a passionate public health professional with a strong commitment to advancing health equity through community engagement and research. Most recently, she worked as a Public Health Analyst at the MITRE Corporation, where she supported a wide variety of federal health agencies to drive transformative innovations in public health and technology. Her strengths include qualitative research, health program evaluation, and strategic planning. Erica holds a bachelor’s degree in Global and Community Health from George Mason University (GMU) and is dedicated to building accessible and inclusive healthcare systems. A fluent Spanish speaker, she regularly volunteers at health clinics in the Washington D.C. area, supporting underserved communities in accessing critical medical and social services. Her previous roles include multiple undergraduate research fellowships at GMU and an internship at the National Association of Community Health Centers. Erica has spent extended time in India, including a year in Mussoorie during high school. After her freshman year of college, Erica received a Critical Language Scholarship (CLS) to study Hindi in Jaipur, India where she volunteered at a women’s shelter. Erica also studied public health for a semester in Argentina, where she conducted an exploratory research project on access to healthcare services for incarcerated women alongside a local physician. Erica is excited to contribute to the AIF MANSI program, helping to reduce maternal and neonatal mortality by strengthening community-based healthcare systems in India.

Tags: art, community, culture, learning

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